If you include a frame within a frame, the main subject should be given the best placement in that frame. If you include lines, they should lead toward the main subject (or thereabouts). Once you have your main subject, you know what matters and what doesn’t you should then compose the rest of your shot in service to that subject. Without the main subject, your composition will seem aimless, and the viewer just won’t know how to handle it. But once you add the subject to your composition, the viewer will know exactly where to look.Ī main subject can also help you prioritize different aspects of your composition. Think of this main subject as a sort of compositional anchor point. Then compose the rest of the shot around that element. In other words, find something in the scene that stands out. Whenever your goal is to make a simple photo, I recommend starting with a clear main subject. In this next section, I share my best techniques for producing simple, powerful shots. Knowing the value of simplicity is all well and good, but it’s also important to understand how you can apply it in your photography. Open up the photos, and ask yourself: Is there a way to make these photos more simple? Did I include enough negative space? Did I eliminate all distractions?Īnd envision how the photos would look if slightly simplified. That way, you can get a sense of how simplicity will affect your images – how it can take a good image and turn it into a great image. Head into your photo archives, and find a group of photos that you’re proud of. You still have to arrange your compositions carefully by following guidelines such as the rule of thirds, the rule of space, the rule of odds, and the golden ratio.īut if you already have a good handle on these techniques, then aiming for simpler photos is going to make a big difference. In fact, here’s an exercise that you can do to wrap your mind around the value of simplicity: Of course, not all simple photos are good. Instead, the viewer sees the photo and is immediately struck by the content. There are no additional elements that the viewer has to consider. For example, a caricature exaggerates the proportion of one or more facial features.Simpler photos are also more impactful because the subject matter just hits you in the face. Proportion is the relative size of objects within a work. Unity or harmony is the visually satisfying effect of combining similar, related elements.
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